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Buddhist Statue of Marpa Lotsawa, [Full Fire Gold plated], Antique Finishing

The great translator, bridge of wisdom between India and Tibet Marpa Chokyi Lodro Maraba Yishi Marpa Roushawa
US$ 690.00
Direct Artisan Price • Ex-factory Kathmandu
Min Order: 1 pc
Dimensions: 29x26x16 cm (11.4 × 10.2 × 6.3 inches)
Gross Weight: 4 kg (8.82 lbs)
Material: Copper & Gold Plated
Iconography / Artist: Marpa Lotsawa
Craft Origin: Kathmandu Valley, Nepal • Ancient Heritage Technique
Cataloged On: Jan 21, 2021
Quantity:
Subtotal: US$ 690.00
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Marpa Lotsawa

Marpa Lotsawa (མར་པ་ལོ་ཙཱ་བ་ཆོས་ཀྱི་བློ་གྲོས་, 1012-1097), sometimes known fully as Marpa Chokyi Lodro (Wylie: mar pa chos kyi blo gros) or commonly as Marpa the Translator (Marpa Lōtsawa), was a Tibetan Buddhist teacher credited with the transmission of many Vajrayana teachings from India, including the teachings and lineages of Mahamudra. Due to this the Kagyu lineage, which he founded, is often called Marpa Kagyu in his honour.
Although some accounts relate that the Mahasiddha Naropa was the personal teacher of Marpa, other accounts suggest that Marpa held Naropa's lineage through intermediary disciples only. Either way, Marpa was a personal student of the Mahasiddha Maitripa and of the dakini Niguma.
Born as Marpa Chokyi Lodro, in Lhodrak Chukhyer in the southern part of Tibet, to an affluent family, he began studying at a young age but was wild and untamed compared to other children. Marpa first received instruction for three years at Mangkhar with Drokmi Shakya Yeshe and mastered Sanskrit. He decided to travel to India to study with renowned Indian Buddhist masters. His first trip to Nepal and India was in the company of Nyo Lōtsawa, whom he attended as a servant. Marpa returned home to Lhodrak and converted his entire inheritance into gold to fund his travel expenses and to make offerings to teachers.

Marpa journeyed first to Nepal where he studied with Paindapa and Chitherpa, two famous students of Naropa. Paindapa later accompanied Marpa to Pullahari, near Nalanda University, where Naropa taught. Marpa spent twelve years studying with Naropa and other great Indian gurus, most prominently Maitripada. After twelve years he set forth on his journey back to Tibet to teach and continue his dharma activities.

Marpa was to travel to India twice more and Nepal three more times and studied with Naropa and other great teachers including Maitripa. He is said to have stayed in the cave at Phugtal Monastery. On his third visit to India, Naropa, who was engaged in tantric practices, proved difficult to find. However eventually Marpa found him and received the final teachings and instructions from Naropa. It was then that Naropa prophesied that a family lineage would not continue for Marpa, but that his lineage would be carried on by his disciples. Marpa now had received the full transmission, so Naropa formally declared Marpa to be his successor although he had other major disciples including Paindapa, Chitherpa, Shri Shantibhadra or Kukuripa, and Maitripa.

Upon his return to Tibet, Marpa spent many years translating Buddhist scriptures and made a major contribution to the transmission of the complete buddhadharma to Tibet. Marpa continued to practice and give teachings and transmissions to many students in Tibet. After his second visit to India Milarepa became his disciple. After the death of Marpa's son, Darma Dode, Milarepa inherited his lineage in full. Marpa lived with his wife Dakmema and their sons in Lhodrak in the southern part of Tibet. Marpa is said to have founded Stongdey Monastery in Zanskar in 1052 CE.
A traditional depiction of Marpa painted on a rock on Holy Isle, Firth of ClydeLotsawa Marpa Chokyi Lodro, (1012-1097)


Centuries-Old Lost-Wax Metal Casting

Each sculpture at Handmade Handicraft is crafted using the ancient cire-perdue (lost-wax) technique, a craft perfected over a millennium by the Newar artisans of Patan. The process begins with sculpting beeswax and Himalayan tree resin by hand. A multi-layered clay mold is formed around the wax, which is melted away in the furnace, creating a void that is filled with molten red copper or bronze.

24K Mercury Gilding

Applied with pure gold leaf and fused using fire gilding for an ethereal sheen that endures for generations.

Cold-Gold Face Painting

The sacred facial features and serene gaze of deities are carefully rendered with powdered cold gold and natural pigments.

Hand-Chiseled Detailing

Intricate robes, mandalas, and jewels are carved by hand with miniature steel chisels and devotion.

Door-to-Door Worldwide Express Delivery

Since 1976, we have shipped thousands of delicate sacred statues and handicrafts across North America, Europe, Australia, and Asia with an exceptional track record of safe delivery.

  • Express Carriers: We partner with DHL Express, FedEx International, and licensed Air Cargo freighters with end-to-end tracking.
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  • 100% Transit Insurance: All international shipments are fully insured against loss or damage during transit.
  • Customs Clearance & Documentation: Includes official Nepal Archaeological Department export clearances certifying modern non-antique artisan status for hassle-free customs clearance.
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