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Tibetan Cochin Brocade Wall Hanging with Embroidered Ashtamangala

representing prosperity and divine protection Ashtamangala Ba Zhi Man La Hasshaku
US$ 14.00
Direct Artisan Price • Ex-factory Kathmandu
Min Order: 1 pc
Dimensions: 38x106 cm (15 × 41.7 inches)
Gross Weight: 0.25 kg (0.55 lbs)
Material: Cochin Brocade
Iconography / Artist: Ashtamangala
Craft Origin: Kathmandu Valley, Nepal • Ancient Heritage Technique
Cataloged On: Jul 10, 2024
Quantity:
Subtotal: US$ 14.00
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Ashtamangala

The Ashtamangala is a sacred suite of Eight Auspicious Signs endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" are yidam and teaching tools. Not only do these attributes point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities". Many cultural enumerations and variations of the Ashtamangala are extant.

Conch The right-turning white conch shell represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accomplish their own welfare for the welfare of others

Endless knot The endless knot denotes "the auspicious mark represented by a curled noose emblematic of love" . It is a symbol of the ultimate unity of everything. Moreover, it represents the intertwining of wisdom and compassion, the mutual dependence of religious doctrine and secular affairs, the union of wisdom and method, the inseparability of śūnyatā "emptiness" and pratītyasamutpāda "interdependent origination" , and the union of wisdom and compassion in enlightenment. This knot, net or web metaphor also conveys the Buddhist teaching of interpenetration. It is also an attribute of the god Vishnu, which is said to be engraved on his chest. A similar engraving of the Shrivatsa on the historical Gautama Buddha's chest is mentioned in some lists of the Physical characteristics of the Buddha.

Pair of Golden FishThe two golden fish symbolise the auspiciousness of all sentient beings in a state of fearlessness without danger of drowning in saṃsāra. The two golden fishes are linked with the Ganges and Yamuna nadi, prana and carp:

LotusThe lotus flower , represent the primordial purity of body, speech, and mind, floating above the muddy waters of attachment and desire. The lotus symbolizes purity and renunciation. Although the lotus has its roots in the mud at the bottom of a pond, its flower lies immaculate above the water.

ParasolThe jewelled parasol , which is similar in ritual function to the baldachin or canopy: represents the protection of beings from harmful forces and illness. It represents the canopy or firmament of the sky and therefore the expansiveness and unfolding of space and the element æther. It represents the expansiveness, unfolding and protective quality of the sahasrara: all take refuge in the dharma under the auspiciousness of the parasol.

VaseThe treasure vase represents health, longevity, wealth, prosperity, wisdom and the phenomenon of space. The treasure vase, or pot, symbolizes the Buddha's infinite quality of teaching the dharma: no matter how many teachings he shared, the treasure never lessened.

DharmaChakraThe Dharmachakra or "Wheel of the Law" represents Gautama Buddha and the Dharma teaching. This symbol is commonly used by Tibetan Buddhists, where it sometimes also includes an inner wheel of the Gankyil. Nepalese Buddhists don't use the Wheel of Law in the eight auspicious symbols.

Vicoty BannerThe dhvaja "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire, disturbing emotions, and the fear of death. Within the Tibetan tradition, a list of eleven different forms of the victory banner is given to represent eleven specific methods for overcoming defilement. Many variations of the dhvaja's design can be seen on the roofs of Tibetan monasteries to symbolise the Buddha's victory over four māras. Banners are placed at the four corners of monastery and temple roofs. The cylindrical banners placed on monastery roofs are often made of beaten copper.

Centuries-Old Lost-Wax Metal Casting

Each sculpture at Handmade Handicraft is crafted using the ancient cire-perdue (lost-wax) technique, a craft perfected over a millennium by the Newar artisans of Patan. The process begins with sculpting beeswax and Himalayan tree resin by hand. A multi-layered clay mold is formed around the wax, which is melted away in the furnace, creating a void that is filled with molten red copper or bronze.

24K Mercury Gilding

Applied with pure gold leaf and fused using fire gilding for an ethereal sheen that endures for generations.

Cold-Gold Face Painting

The sacred facial features and serene gaze of deities are carefully rendered with powdered cold gold and natural pigments.

Hand-Chiseled Detailing

Intricate robes, mandalas, and jewels are carved by hand with miniature steel chisels and devotion.

Door-to-Door Worldwide Express Delivery

Since 1976, we have shipped thousands of delicate sacred statues and handicrafts across North America, Europe, Australia, and Asia with an exceptional track record of safe delivery.

  • Express Carriers: We partner with DHL Express, FedEx International, and licensed Air Cargo freighters with end-to-end tracking.
  • Museum-Grade Packaging: Each piece is wrapped in moisture-resistant vapor barriers, thick high-density foam cushioning, and reinforced export cartons or custom wooden crates for large statues.
  • 100% Transit Insurance: All international shipments are fully insured against loss or damage during transit.
  • Customs Clearance & Documentation: Includes official Nepal Archaeological Department export clearances certifying modern non-antique artisan status for hassle-free customs clearance.
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