[Gampopa], Buddhist Miniature Statue, [Silver and Chocolate Oxidized]
| Dimensions: | 10x8x6 cm (3.9 × 3.1 × 2.4 inches) |
| Gross Weight: | 0.34 kg (0.75 lbs) |
| Material: | Copper |
| Iconography / Artist: | Gampopa |
| Craft Origin: | Kathmandu Valley, Nepal • Ancient Heritage Technique |
| Cataloged On: | Dec 26, 2025 |
Gampopa
Gampopa's position in the transmission lineage of the Mahamudra teaching is as follows:
Tilopa (988-1069), the Indian yogi who experienced the original transmission of the Mahamudra
Naropa (1016-1100), who perfected the methods of accelerated enlightenment described in his Six Yogas of Naropa.
Marpa (1012-1097), the first Tibetan in the lineage, who translated the Vajrayana and Mahamudra texts into Old Tibetan
Milarepa (1052-1135), poet and master who overcame Marpa's reluctance to teach but nonetheless attained enlightenment in a single lifetime
Gampopa, Milarepa's most important student, who integrated Atiśa's Kadam teachings and Tilopa's Mahamudra teaching to establish the Kagyü lineage
This lineage sequence, taken together, is called the "Five Founding Masters" by the Kagyu school.
After his studies with Milarepa, Gampopa founded Dakhla Gampo Monastery (Dwags lha sgam po) in 1121 CE. He had many great students who were accomplished tantric practitioners, both monks and laymen. Gampopa's teaching joined the Lamrim teachings of the Kadampa school with the Mahamudra and tantric teachings of the Kagyu school. According to Tony Duff, he taught Mahamudra in two approaches, "one is a gradual approach called the Four Yogas of Mahamudra, the other is a sudden approach called Essence Mahamudra.
"It is necessary for: dharma to turn to dharma; dharma to turn into the path; the path to dispel confusion; and confusion to turn into wisdom"
The Four Dharmas in Brief further states about each of the four Dharmas:
(1) Dharma to turn to dharma means to meditate on impermanence, the fact that all things will be left behind at death and that only Dharma is of use, all must be renounced except Dharma.
(2) Dharma turns into the path is explained as:
if there is the rational mind of loving kindness and compassion that cherishes other more than oneself-the fictional enlightenment mind-and then on top of that the understanding that all phenomena, outer and inner, appearing as the coming together of interdependency are illusory, then the primal dharma turns into the path.
(3) The Path is to be used to dispel confusion means that "confusion has to be dispelled from top to bottom", Gampopa explains this as follows:
First, meditation on impermanence dispels the confusion of clinging to this life, then meditation on karma and effect dispels the confusion of bad views, then meditation on the disadvantages of cyclic existence dispels the confusion of attachment to cyclic existence, then meditation on loving kindness and compassion dispels the confusion of the Lesser Vehicle, then meditation on appearances being dream-like, illusory, dispels the confusion of grasping at conceived-of things...
(4) Confusion turns into wisdom:
If, the force of meditation done on all phenomena being free from birth and cessation in suprefact (paramartha satya) causes whatever appears, whatever is known, to be resolved as its own entity, then confusion has dawned as wisdom.
Centuries-Old Lost-Wax Metal Casting
Each sculpture at Handmade Handicraft is crafted using the ancient cire-perdue (lost-wax) technique, a craft perfected over a millennium by the Newar artisans of Patan. The process begins with sculpting beeswax and Himalayan tree resin by hand. A multi-layered clay mold is formed around the wax, which is melted away in the furnace, creating a void that is filled with molten red copper or bronze.
24K Mercury Gilding
Applied with pure gold leaf and fused using fire gilding for an ethereal sheen that endures for generations.
Cold-Gold Face Painting
The sacred facial features and serene gaze of deities are carefully rendered with powdered cold gold and natural pigments.
Hand-Chiseled Detailing
Intricate robes, mandalas, and jewels are carved by hand with miniature steel chisels and devotion.
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Museum-Grade Packaging: Each piece is wrapped in moisture-resistant vapor barriers, thick high-density foam cushioning, and reinforced export cartons or custom wooden crates for large statues.
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Customs Clearance & Documentation: Includes official Nepal Archaeological Department export clearances certifying modern non-antique artisan status for hassle-free customs clearance.