Tibetan Chod Damaru [Small] - Wooden and Leather, with Brocade Damaru Drum Cover and Damaru Brocade Tail
| Dimensions: | 6.5x11x11 cm (2.6 × 4.3 × 4.3 inches) |
| Gross Weight: | 0.18 kg (0.4 lbs) |
| Material: | Wood and Leather |
| Iconography / Artist: | Damaru |
| Craft Origin: | Kathmandu Valley, Nepal • Ancient Heritage Technique |
| Cataloged On: | Aug 17, 2023 |
Damaru
Drum Damaru - The Asia and Pacific Museum in Warsaw
With no known antecedent, the chod is traditionally made of acacia wood (seng deng), though a variety of woods are acceptable, as long as the tree is not toxic and does not possess thorns or other negative attributes. Made as a one-piece, double-sided (two-headed) bell shape, size varies from 8 inches to 12 inches in diameter. Usually featuring only a thin veneer of varnish, so that the grain of the wood shows, they come the common red (marpo), black (nakpo) or rare yellow (serpo) type of acacia, and are very occasionally painted with skulls, the eight charnel grounds, or other symbols. The waist or belt is traditionally made of leather, though often brocades are used. A set of mantras are traditionally painted on the interior of the drum prior to its skinning.
The pitch of the drum varies, and the tone may vary depending on conditions of dampness, temperature and so on. Played slowly, and methodically, the droning of the damaru accompanies the haunting melodies and chants of the chod ritual, as of which are accompaniments for the inner meditations and visualizations that are at the heart of this spiritual practice.
The above applies to the ideal manufacture of the damaru, and as still described in the definitive modern work, the "Mindroling Handbook of Vajrayana Implements." Those manufactured in India and Nepal are made of indeterminate and cheap woods, with painted skins, often no interior mantras, and altogether deviating from the many other essentials, as presrcibed in technical literature such as the Mindroling Handbook. Such copies are now widespread and in use by Eastern monastics and Western students.
Chopen
Damaru of all kinds are traditionally paired with a long sash or tail called a chopen. The chopen is attached to the end of the drum's handle so that it waves about while the drum is being played. They are most commonly made of brocade or silk using the colors of the tantric elements. On smaller damaru, the chopen is usually found without adornment, but on chod damaru, the tail will often feature several items which have been sewn onto the fabric. These adornments commonly include but are not limited to: a polished silver mirror or melong, a set of small bells, strips of tiger and/or leopard skin, one or more precious stones (i.e. dzi bead), and any number of small brass trinkets.
Centuries-Old Lost-Wax Metal Casting
Each sculpture at Handmade Handicraft is crafted using the ancient cire-perdue (lost-wax) technique, a craft perfected over a millennium by the Newar artisans of Patan. The process begins with sculpting beeswax and Himalayan tree resin by hand. A multi-layered clay mold is formed around the wax, which is melted away in the furnace, creating a void that is filled with molten red copper or bronze.
24K Mercury Gilding
Applied with pure gold leaf and fused using fire gilding for an ethereal sheen that endures for generations.
Cold-Gold Face Painting
The sacred facial features and serene gaze of deities are carefully rendered with powdered cold gold and natural pigments.
Hand-Chiseled Detailing
Intricate robes, mandalas, and jewels are carved by hand with miniature steel chisels and devotion.
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